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“Like a multifaceted Nico Päffgen afloat in Silvano Bussotti’s spoetata prose, Grip Casino offers us the negative of pictures portraying a world that is unphotographable and even, in that darkroom that is the world’s mind – ultimately undevelopable. The darkroom of the world is the wonder that is our daily life. Hovering on flying carpets,  magicalmisterytouring guitars, we land on Grip Casino’s planet, a place where we get deboned by gentlemen butchers, rolled in sci-fi mud, seized by increasingly artificial and thus perfect seasons, re-programmed by a God who exists but cannot–ever–be seen. We’ll get to hear it, maybe.
And there is the miracle of the static image, rendered via a process of permanent recordings of the interactions between light and matter. What emerges from the process is a surprising wriggling and surrendering, a sound that unflappably reaches out its arms towards a future that is all crackle. A future we cannot escape.” Stefano Di Trapani.