Experimental & Parametric Music 1976-2017

Early Electronic series
Through “Experimental & Parametric Music 1976-2017”, more than 40 years of the composer’s work are unveiled. We discover here for the first time the great coherence of this work: from “Signalisations” (1976) to “Mnemosyne pour une acousmaman” (2017). The twelve compositions are annotated and explained in detail by the composer, as well as a kind of wild autobiography
Inspired by the deep control on electronic sonics, he has been defining his work since 1979 as “Parametric Music”, music where composition is based on transformation flows of one or several parameters, selected by the composer, that form, through their converging (or diverging) processes the main characteristics of the regulated sonics of the composition