Everything Was Forever Until It Was No More
€ 31,46
Prix HT : € 26,00
TVA (21%) : € 5,46
In stock
Comes in die-cut sleeve. Rooted in a distinct and immediately identifiable sound—with the cello of Rebecca Foon (Saltland, Set Fire To Flames, Silver Mt Zion) and the marimba of ex-Godspeed You! Black Emperor percussionist Bruce Cawdron at its core—Esmerine has long embroidered emotive chamber works using threads of post-classical, post-rock, Minimalism, neo-Baroque, jazz, pop and a wide array of folk traditions. Multi-instrumentalist Brian Sanderson, who joined the group in 2012, has furthered Esmerine’s melodic and ethnomusicological sensibility ever since, expanding the ensemble’s palette as its third core member with guitars, ngoni, ekonting, hulusi, brass horns of all sorts, and more
After six stately albums, Esmerine now shares Everything Was Forever Until It Was No More, its first in five years. The band surprise-dropped the full album digitally on 06 May 2022, with the CD and deluxe 180gram LP editions hitting stores on official release date 26 August 2022. Following an acclaimed run of mid-career records on Constellation through the 2010s Esmerine began working on new music at decade’s end. Under the auspices of a grant from the Canada Council for the Arts and a summer 2019 residency at Le Château de Monthelon in France, compositional seeds were planted before the pandemic rooted everyone in place. In between lockdown waves, at the respective rural Québec homesteads of Cawdron and Foon, longtime co-producer Jace Lasek (The Bernard Lakes) began capturing the band in various stripped-down configurations with spartan remote equipment
More fulsome arrangement and overdub sessions at Foon’s converted barn during the summer of 2021 brought the album to full fruition—where a notable increase in the use of acoustic piano also poured forth, with just about every band member having a go. The record also signals the definitive integration of bassist Philippe Charbonneau—having joined Esmerine as a touring member pre-pandemic, he plays throughout the album on upright and electric bass, with turns on piano and synth, as well as sound design contributions via tape echo and other processing
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