Campfire Headphase

Responding to popular demand, Warp Records is repressing its seminal Boards of Canada catalogue on vinyl for the first time in over five years. Each Warp reissue comes with a download code and an original BOC sticker design from the era
In 2005, Boards of Canada released their third studio album, titled The Campfire Headphase. Perhaps the most organic of their publicly available output, The Campfire Headphase represents a significant departure both in mood and timbre from its predecessor, Geogaddi. “We decided to make an escapist soundtrack,” Michael Sandison said in a 2005 Playlouder interview, “like a kind of sanctuary; a day-glo vista you can visit by putting the record on.”
In place of the dense and highly electronic nature of Geogaddi, The Campfire Headphase favors a more stripped-down, acoustic approach, with a significantly reduced use of synthesizers. As Marcus pointed out to Playlouder magazine: “There’s less use of synths on this record. We’ve leaned heavily towards a whole ‘played, taped and sampled’ backdrop this time. I guess sampling for us is different from a lot of other bands, because we routinely sample ourselves rather than other records, so most of the sound generation is coming from real instruments that we played ourselves, mostly recorded with microphones, and a lot of location recording. What you hear on the record is kind of a wall of sound created by sampling as many gnarled acoustic sources [as] we could find.”