Dissection lente d’un piano rouillé

Explorations from within the frame of a broken piano. Rubbing and tickling strings – with drone-based undercurrents in leviathanic apparitions; squeals of insects,- molluscs and intriguing shells; underwater singing and moaning – the work of Belgian musician and performer Anaïs Tuerlinckx entangles us into a captivating constellation of sound, full of roaring tensions, squeaky flashes and the occasional deep, resounding backwash wave. Four pieces recorded in one afternoon at the Delta in Namur
Steel breaker waves collapse into a seemingly endless rebounding fall, straight into the bowels of the earth or hell. It is a totally absorbing acoustic approach supported on certain tracks by a bass amp and a monotron synthesizer and a bewildering and fantastically anguishing dynamic richness
Ending the record with the “false” lull of “Exploration finale d’un corps abîmé” resonating like the last trace of the fall, a sort of end of the total collapse surrounded by various scattered sounds, before the pipe organs of the abyss resonate with the surviving strings remaining from this wonderfully mistreated piano. A 40 minutes long record by Anaïs Tuerlinckx, the perfect insight into her dense sound universe