Triptych

Three works created wholly on the ARP 2500 synthesizer in 1978, Triptych proffers yet another piece of the (archival) puzzle that informs the deft Ms. Radigue’s vital body of work. A drone crone long before such terminology ran rampant in the journalistic marketplace, Radigue’s music is a marvel of economic means, utterly unflinching in its unsaid maxim that less can truly be more. The pieces herein were originally commissioned for live dance (though one’s imagination can grapple with how anyone could in any way gyrate to the gentle hum, curdle and swoosh on display) but remain standalone works on their own right, regardless of context